By D. A. Miller
Focusing on 3 films—Strangers on a Train, Rope, and The flawed Man—Miller indicates how Hitchcock anticipates, even calls for a “Too-Close Viewer.” living inside of us all and vigilant even if every little thing seems to be in solid order, this Too-Close Viewer makes an attempt to determine greater than the director issues out, to extend the distance of the movie and the length of the viewing experience. And, due to Hidden Hitchcock, that obsessive awareness is rewarded. In Hitchcock’s visible puns, his so-called continuity mistakes, and his hidden appearances (not to be pressured together with his cameos), Miller unearths wellsprings of enigma.
Hidden Hitchcock is a revelatory paintings that not just indicates how little we all know this most sensible identified of filmmakers, but additionally how close to such too-close viewing involves cinephilic madness.
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Additional info for Hidden Hitchcock
Hidden Hitchcock by D. A. Miller